Check my review of Hollis, Queens emcee Monsta X:
http://www.brooklynbodega.com/2010/04/25/x-factor-monsta-x-mixtape-review/#comments
And the video for his debut single, “Goin’ In” :
Yes, that’s right–Lil’ Wayne is blogging and selling merch from prison.
In his Letter #1, Lil’ Wayne says:
“During my prison stint, I want my fans to know I love you. I want all of you to know that I appreciate all the mail I get, and this is my way of saying thank you. The F is for Family, Friends, and Fans.
“Love. Live. Life. Proceed. Progress. That’s who I am and who I’ll always be. You see, we’re all living on borrowed time, so I’m not worried about this situation. Life happens quick. The more time you spend contemplating what you should have done…you lose valuable time planning what you can and will do. Trying to tear down the past prohibits you from building up your future. So for my time here, my physical will be confined to the yard. My love and my spirit, however, know no boundaries.”
You can even get a ‘Weezy Thanx You’ desktop/Twitter background:
Lil’ Wayne is currently serving a year long sentence at Riker’s for illegal weapon possession. Apparently he’s isolated from the general population, and can be eligible for parole in eight months for good behavior. Sigh…
Stay strong Weezy!
Some love for “A Milli” :
Now, for days I had up the videos for “Blessa” and “Talamak”–Just today I was lucky to interview Chaz Bundick, the visionary behind Toro Y Moi.
Check out the article:
http://www.brooklynbodega.com/2010/04/05/talk-shop-toro-y-moi-interview/
Alan Palomo of Neon Indian just released “Sleep Paralysist”…The track, co-produced with Grizzly Bear’s Chris Taylor, echoes the outerworldly video game tunes on his debut record Psychic Chasms.
The third track on Miles Davis’ 1959 Kind of Blue, called ”Blue in Green”:
You can see how thinking about music moves into mysticism–Kwami Coleman
This Sunday, I talked to my friend, musician & musicologist, Kwami Coleman, who resides in San Francisco, about modality in music. I was listening to Miles Davis’ ”Blue in Green”, a highly textured musical composition, from his record Kind of Blue, which is very modal. Now, I’ve studied music, namely violin, but still have lots of questions regarding the theories. At first, Kwami broke down the basics of my questions, but then it soon delved into the relationship between music & tonality & its (unknowable) effects on human psyche.
When we hear a piece of music, it elicits a response from us. Whether we listen to Miles Davis, to get into a heady, reflective, sober condition or the energetic, multilayered, orchestrated spontaneity of Fela Kuti—there is an emotional response drawn out of us. We attribute emotions—longing, misery, whimsy, joy—to the melodies we hear. We all know this. And we know that the reason for this will never be fully understood, there’s value in understanding what certain tones provoke in the listener.
To read the Dialog Box interview, click the title of this post.