Check my review of Hollis, Queens emcee Monsta X:
http://www.brooklynbodega.com/2010/04/25/x-factor-monsta-x-mixtape-review/#comments
And the video for his debut single, “Goin’ In” :
The third track on Miles Davis’ 1959 Kind of Blue, called ”Blue in Green”:
You can see how thinking about music moves into mysticism–Kwami Coleman
This Sunday, I talked to my friend, musician & musicologist, Kwami Coleman, who resides in San Francisco, about modality in music. I was listening to Miles Davis’ ”Blue in Green”, a highly textured musical composition, from his record Kind of Blue, which is very modal. Now, I’ve studied music, namely violin, but still have lots of questions regarding the theories. At first, Kwami broke down the basics of my questions, but then it soon delved into the relationship between music & tonality & its (unknowable) effects on human psyche.
When we hear a piece of music, it elicits a response from us. Whether we listen to Miles Davis, to get into a heady, reflective, sober condition or the energetic, multilayered, orchestrated spontaneity of Fela Kuti—there is an emotional response drawn out of us. We attribute emotions—longing, misery, whimsy, joy—to the melodies we hear. We all know this. And we know that the reason for this will never be fully understood, there’s value in understanding what certain tones provoke in the listener.
To read the Dialog Box interview, click the title of this post.
Can I say…
J’adore!
Now, Miss Bruno and I are kindred spirits connected, cyber-spirituelle and whatnot. For serious–creativity, spark, story, color, lineage & design–I’m taken by this collection.
love this sexy off-the-shoulder sheath dress. Made from hand-spun, handwoven cotton from Burkina Faso.Pistolera’s accordion-driven cumbias reside on the border ‘tween Brooklyn & Mexico. Here’s their video for “Policia” from their record En Este Camino:
Check them out at the 92Y Tribeca, this Friday, 1.8.10 @ 8 PM. San Francisco agency Trouble Worldwide & NYC world label Barbès have brought together a motley of bands that crisscross borders, sounds, and sensibilities!
For the band’s website: http://www.pistolera.net/
Artist/Designer/Thinker/Bu, Carlos E. Fernández-Dieppa, photographed this last week.
There’s something sensual about this quartet of cords, no?
I love how the vivid image of one cord pops against its blurred counterparts–as if one could pluck it right out of the picture.
I noticed my eyes struggling to focus between different parts of the image. It seems to be a matter of binocular rivalry.
“When one image is presented to one eye and a very different image is presented to the other, instead of the two images being seen superimposed, one image is seen for a few moments, then the other, then the first, and so on, randomly for as long as one cares to look.”
me: gimme a quotable quote, waxy moustaches
los.veni.vidi: This photograph illustrates a duality between clarity and abstraction. On the one hand, depth is inferred by the use of focus on the object in the foreground the silhouettes are blurred in the background. Conversely, one could interpret the image as multiple cords in front of a depthless plane.
los.veni.vidi: If you interpret the background as a depthless plane, while still illustrating depth through the use of focus, it differs in that you can speculate what you perceive as object and shadow.
(Some pretty deep thoughts after we’d hit up The Back Room –102 Norfolk @ Delancey– sippin’ on Jameson in teacups):
lustre du sein (titty chandelier):
(I happen to have some white spot on the corner of my mouth. Hm. Don’t have the Photoshop, so here you are, here I am, unadulterated.)
Recently, I started working as a teaching artist with the Urban Arts Partnership. One of my colleagues, showed his films during an artist’s share. Filmmaker Elliot Montague’s work truly moved me. It’s been quite long since something I’ve seen has stirred my imagination and my sense of synergy with another artist. There’s much to witness and learn from–”his work explores representations of the genderqueer and transgender body within social and personal spaces.”
Please check excerpts of his work here.
In the artist’s words:
“Integrating devices of narrative, fantasy, documentary, and the confessional, Well Dressed is a series of provocations. Each gesture points to failures and fantasies– the failed sexual cruise between the young queer body and an older male, the fantasy of sex between the gender queer body and the biological male, a friendship between a transitioned FTM and a pre-op FTM, the queering of maternity, and the return to the fetus and newborn. These scenes recontextualize narratives of sex, birth, and becoming.”
Here are some production stills from Well Dressed:
Wood.
Art.
Marquetry.
Inlay.
Here’s the work of Brooklyn based artist, Allison Elizabeth Taylor.
I love this piece, Swimming Pool, which is all those thangs. Talk about straight out of a comic book. Or Cougar Town. (Not the show, but the ever-more fascinating concept.)
It’s 70 X 40 inches, made completely of wood. And Ms. Taylor’s supreme abilities with wood is remarkable; the way the grain evokes age, contour, pattern, space & time.
For all you riders, check this piece too, entitled, Hank:
Here the wood captures the essence of the terrain. Seriously sedimentary. Against the ruggedness of the landscape, the dapper bicyclist, Hank, is caught in a moment.
Throwback! !!!
Musician/theatre & film artist extraordinaire Hanifah Walidah’s Make a Move Music video, which I appeared in along with–she inspires the best o’ my alliterative abilities–a brownstone in Bed Stuy brimming with brown skinned babes & butches! Walidah’s gone onto produce other music videos and check her blog Finding Black Patti.
A bunch of folks have seen this video on the LOGO channel, but I still have yet to see it on a flatscreen. So, thanks to youtube, you can see it too.
(Pssst! I’m the pixie giving the hottie advice on how to steal Hanifah’s hat)
Enjoy!
U People, sprung out of the music video. It’s a documentary project developed by Hanifah and photographer/filmmaker, the wondrous Olive Demetrius–
“It’s a documentary film about what happened in a brownstone in Brooklyn one spring weekend where 30 gay, straight women and trans folks of color came together to shoot a not so typical music video. What was caught on B-roll are moments that most can relate to how ever you live your life. From this premise a thriving community was born that reflects a more diverse image of queer people of color and finds new ways to promote our connectedness as oppose to differences within the larger society.”
Here’s what Olive says about the photos that were taken along with the podcast:
“I took these photographs initially because the documentary was an unplanned blessing. We didn’t have stills that really captured the time, place and feeling. We took the time after the fact to bring these people to our home to shoot these photographs. These are dynamic interesting people yet drawing something out of them was more difficult than I expected.”
Below is “Anticipate”–evoking the moments before a kiss…
and just breathe…
Sent to me by the dear, clear-eyed Kwami Coleman, PhD candidate in Musicology at Stanford. Click on his name to read his article on remixes of Messiaen, French composer, organist, and ornithologist! Birds and music? Dude incorporated BIRDSONG transcriptions in most of his compositions! But this here song, brings a lot of cheer, on some soul groove type shiz: